ANTIQUITY

While Johansson is as mordant and hypnotic as Nabokov, she opts for restraint over pyrotechnics. (Credit is also due to Kira Josefsson’s deft translation from the Swedish.) This is a novel to savor and argue with . . . I’ve come to think of Antiquity as a Polaroid of the ocean at night, a deep-time abyss, an intimate menace.
– Ryan Chapman, The New York Times Book Review, USA

Highbrow brilliant.
– New York Magazine, USA

Hypnotic.
– Keziah Weir, Vanity Fair, USA

[O]ne exquisitely rendered moment after another . . . Antiquity maps out the crystallizing process of an impression, the places in a temporary affair where the fleshy stuff of love or lust hardens into narrative.
– Rosa Boshier González, The Believer, USA

A delicious slow-burn meditation on desire, envy, language, and memory.
– Jasmine Vojdani, Vulture, USA

Fascinatingly deceptive . . . a beautifully drawn portrait where everything is wrong.
– Anna Gaca, Los Angeles Review of Books, USA

In Antiquity, Hanna Johansson unleashes a rapturous, sinuous tale of desire and its reckless vehicle . . . Shifting between the incantatory posturing of someone captivated by the forbidden and the anxious distortions of unreciprocated intimacy, Johansson deftly grows an explosive triangulation in which closeness begets isolation, and isolation begets tragedy.
– Sofija Popovska, Asymptote Journal, USA

A gorgeously written book about lust, desire, power, and obsession. Johansson, along with Josefsson’s translations, sophisticatedly tells a sultry story about a forbidden relationship that brings a family to the brink.
– Debutiful, USA

Gorgeous, lacerating . . . Johansson’s creation, in Josefsson’s translation, reminds us of our own tendency to narrativize life, to write ourselves out of the intimate joy of immediate experience by stepping back and fiddling with the details, fashioning an ideal self. Antiquity feels destined to be a classic, as multifaceted, revealing, and transformative as works by Dostoyevsky, Mann, and Nabokov. Its power comes from its vulnerable, gorgeous prose, replete with lush images, and also from its structural sophistication—a complete convergence of shape and themes. The textual body of the novel is a monument to the clash between the natural flow of life and its narrativized counterpart, felt through the temporal textures of the story, its narratological conflict.
– Sofija Popovska, Asymptote, USA

Obsessively observant and cuttingly internal.
– JR Ramakrishnan, Electric Literature, USA

A mesmerizing journey into the roots of intimacy, Johansson’s debut novel gives a skillfully crafted, well-defined face to loneliness . . . [A] meditation on how the hunger for human connection consumes boundaries between self and other.
– Booklist, USA

A moody exploration of loneliness and obsession against the backdrop of an arrestingly beautiful Greek island . . . Johansson’s sentences are lovely and her observations are sharp and clear-eyed.
– Publishers Weekly, USA

A fiction debut that explores the intersection of desire and power . . . Johansson uses her chosen setting to good effect. Her characters are surrounded by sumptuous sensory experiences but also isolated, and that isolation enhances the sense of pending disaster that permeates the text . . . [A] writer to watch.
– Kirkus Reviews, USA

A wonderful novel written with the menacing elegance of a cat burglar working in the shadows and at great heights.
– Catherine Lacey, author of ‘Biography of X’

Entrancing and calamitous, Antiquity dreams deeply into the shadows of desire and obsession. A precise and mysterious spell of a book.
– Rachel Yoder, author of ‘Nightbitch’

In Antiquity, Hanna Johansson probes the most forbidden recesses of desire, aging, and memory in sentences as lucent and incisive as shards of glass. Wily, mesmeric, and utterly disarming, this fabulously translated novel held me captive from the very first page, and its questions and images will linger in my blood for a long time. Rarely have I felt so transported and beguiled by a book, let alone a debut. Don’t miss it.
– Maggie Millner, author of ‘Couplets: A Love Story’

What Hanna Johansson offers in her electric, unsettling debut refuses all protection and dares the reader to do the same. Kira Josefsson’s translation is its own marvel, the language brimming with just-kept chaos until the keeping’s no longer possible. I won’t forget this book.
– Anna Moschovakis, author of ‘Participation’

Antiquity is an incredible debut. Hanna Johansson has written a Mediterranean novel with an air of Duras, Per Hagman, and Call Me by Your Name, and she’s done so with a style that is as poetically dreamy as it is clear and concrete. Antiquity is ridden with precise, curious observations—scars are like sweetwater drops, terrazzo floors are the color of lobster sauce—since the narrator, in her heightened state, notices absolutely everything. As memories from her Stockholm life fade and blur together, she’s anchored in her own present, and every detail pops.
– Expressen, Sweden

The Greek square that opens the novel is drawn with both realism and suggestiveness, with striking snapshots of upper-class boys and their fathers, of the kind of summer lethargy that threatens to explode into something immeasurable. And those boundaries are crossed when the narrator begins a sexual relationship with the now teenaged Olga, the girl from the photograph. Though their intimacy is only sketched in short paragraphs, Hanna Johansson is electrifying when she dissolves any assumption that sexuality is simple.
– Dagens Nyheter, Sweden

There is a nostalgic melancholia in the intense prose that is strikingly beautiful /… / Antiquity is a solid literary composition and a fantastic debut.
– Upsala Nya Tidning, Sweden