Archive for year: 2019
Amazing review of Camilla Sten’s ‘The Lost Village’
/in Camilla Sten, News, Uncategorized/by Sara Tiala‘The Lost Village’ by Camilla Sten is now available to pre-order.
/in Camilla Sten, News, Uncategorized/by Sara TialaSteve Sem-Sandbergs latest novel ‘The Tempest’ is published in the UK
/in News, Steve Sem-Sandberg/by Sara TialaMats Söderlund’s critically acclaimed YA novel The Threat nominated for Norrlands Litteraturpris 2019
/in Awards, Mats Söderlund/by NordinWe are happy to share the news that The Threat, the first book in the Descendants trilogy by Mats Söderlund, has been nominated for Norrlands Litteraturpris 2019. The winner will be announced in the beginning of July.
Publication date set for The Man Who Played With Fire: Stieg Larsson’s Lost Files and the Hunt for an Assassin
/in News/by NordinAmazon Crossing announced in a pressrelease February 6 that they will publish Jan Stocklassa’s The Man Who Played With Fire: Stieg Larsson’s Lost Files and the Hunt for an Assassin. The rights for this true crime book have been sold to over 50 countries. Stay tuned for more updates!
Rave review for Steve Sem-Sandberg’s The Tempest
/in News, Reviews, Steve Sem-Sandberg/by NordinSteve Sem-Sandberg has received a great review for his The Tempest. The novel is to be published by Faber & Faber February 21st.
This is a novel about the way historical crimes are written on a landscape, about the manner in which moral decay takes on physical form. What makes The Tempest truly special, though, is the risks that Sem-Sandberg takes with narrative conventions, the way that his prose seems to break every rule in the creative writing handbook, and yet does so joyfully, recklessly and utterly convincingly. That such stylistic complexity is rendered in a manner that feels entirely natural is testimony to the great skill of the translator, Anna Paterson. The prose leaps wilfully between past and present tenses, the voice suddenly breaks into the second person and at one point Johannes takes over Andreas’s first-person narrative. Perspectives telescope in and out, giving us sweeping passages of history or wide-angle landscapes followed by intimately observed and close-up moments in time. It’s as if the book’s most significant borrowing from Shakespeare’s play is not the island setting, but rather Prospero’s total control of narrative, the omnipotence of the author-magician.
You find the review in its entirety here: https://www.spectator.co.uk/2019/02/an-islands-dark-secrets-the-tempest-by-steve-sem-sandberg-reviewed/
Nordin Agency AB
Holländargatan 20
SE-111 60 Stockholm, Sweden
NORDIN RINGHOF AGENCY
Contact
info@nordinagency.se